CHRIS BROWN IN PRESTIGE MAGAZINE

 Chris Brown and his team had made it clear he was not doing media interviews surrounding his latest album Fortune. The album being in stores for 4 months now, he must have gave him when Hong Kong’s Prestige magazine offered him the cover. The Pop R&B star went fashion forward as he glamed it up for the classy photoshoot.


HERES SOME OF THE INTERVIEW:


What do you want the world to know about who you are and what you stand for?
As a 23-year-old young entertainer, I want the world to see my art and hopefully be inspired by it, promote positivity with what I do now – with painting, with fashion, with directing, with creativity as far as videos and cinema. I want to have people admire that and hopefully have people follow in my footsteps.

What are you having the most fun at right now?
Honestly, my day-to-day life is the most fun right now because I get a chance to not focus on “the artist” Chris Brown. Going through the regular things, like going to the grocery store. I’m also running a label right now, so I have different artists, four or five different acts, shooting videos that I’m directing and coming together.

Turning to your music: your range is amazing. So many different genres. That’s kind of been your MO from the beginning, right?
Definitely with Fortune that’s the direction I wanted to go, but even with the F.A.M.E. album. What I wanted to do was not set the bar with a certain kind of style. I didn’t want people to say. “He’s just R&B.” Yes, I will sing an R&B song. But then I’ll do a pop song, then I’ll do a song with a country kind of feel, a reggae feel. I always want to be eclectic with my music. I don’t think music has a race. I think music has a soul and it’s just a feeling. What evokes the set of emotions from you is what I try to bring out…whatever flows, whatever I feel, I just write.

Whether they’re fun or super serious, the videos for Fortune are all mesmerising. How involved do you get in the developing the stories and visuals, and the production?
With the comedy videos like “Till I Die” – which I did with Wiz Khalifa and Big Sean – it was like, cool. Let’s have fun with it. Make a crazy video. Being able to direct by myself and have full creative focus and being able to know the cameras – that was the easiest part. The vision is the hard part. Whenever you’re sleeping, you have that dream or that nightmare and that’s your video. That’s how I kind of interpret it. Or whatever I see when I hear the music, whatever vision I see, I put it right onto paper and put it out on the video. Like the video for “Don’t Judge Me” – it was me going into a spaceship. Not to be arrogant when I say it, but I want to be the Steven Spielberg of music videos, to be innovative and young, not to put a bar on it just because of budgetary issues or certain capabilities.